天才捕手

简介：

詹妮弗·杜洛斯 (Jennifer Dulos)，康涅狄格州一位富有的五个孩子的母亲，她神秘失踪了。

简介：

导演尼古拉斯．雷。背景在1942年二次大战时，美国与日本在太平洋瓜达康纳群岛正进行生死斗。美国海军航空作战黑猫中队，奉命前往支持。中队长柯比（约翰．韦恩饰）刚履任，要求纪律严明，而飞行员却和他保持疏离态度。执行长卡尔葛芬（罗伯特．瑞安饰）却随和感性，很得军心。他也批评中队长不妥协的态度，认为飞行员出生入死，多少也要给点自由的空间。中队长只要他们适应战斗生活避免死亡，对此不以为意，其实他也不是个毫无感情的人，每次部属伤亡，他都写信给家属慰问分担痛苦。随着日军反扑，双方海、空军在太平洋激战，大家才了解中队长其实热爱着生命，执行长在紧要关头也抛弃前嫌为国家任务努力以赴，终于获得胜利。本片讲述的是一个外表冷酷而内心却是热爱着部下和生命的一个中队长，演员的成功演出令本片增色不少，在冰冷的战争背后也有着一丝一缕的温情热流。

简介：Mr. Sugar Daddy depicts the story of a man looking for a fresh start. Hans falls for young Andrej and is thrown into a game that does not allow any winner.

简介：演员过日子，举手投足就是一幕幕川剧，癫狂、苦涩、地道，烟火气刺鼻。百年的生活史，大大小小，就这样在舞台上下踉跄展开。

简介：

他的工作离不开金钱、欲望与凶险，她则是富商的秘密情人，富商病危住院中，她却完全见不到爱人。当皮条客阿龙遇上艺廊经理乃文，孤独的两人搭上彼此，每一次激情都是对现实的逃避：阿龙有青梅竹马的金莎要照顾，乃文也得决定肚子里的孩子何去何从。这是夜都会的红男绿女愁语，拥有自我是奢谈，真情自然短缺。 莫允雯 、 范少勋 演出突破尺度， 温贞菱的奔放不羁更是抢戏亮点。

简介：

丹·杜里亚 (Dan Duryea) 和他的同伙抢劫了一名假通灵者，然后将其逃往大西洋城。

简介：

口头禅“我去”，铁钉皮大衣、宽边牛仔帽、内藏深厚法力、外挂各种法器、专业捉妖、业余撩妹、出身道家、投身魔界的捉妖师“萌叔”开着挎子（摩托）带着魔界公主“芊儿”奔驰在保卫世界和平、人间安宁的旅途中。 “萌叔”最近一直没法愉快地捉妖：捉妖GPRS导航和妖信摇一摇经常失灵错乱暂且不论；“芊儿”公主最近常犯花痴、飙鼻血、无法安心工作也先罢了；师弟各种半路抢功、业绩作假也不往心里去了；关键是这妖是个一根筋，找不到她的头发就各种为害人间，当然，对于阅“妖”无数、法力没谱的萌叔，其实“妖”之常情还是尽可理解啦；可是最让萌叔蒙圈的，是人——这妖捉得已经够凌乱了，怎么路遇的人类全都各种比他还要奇葩都比中二呢，这世界是怎么啦，大家到底几个意思啊……

简介：刚刚和妻子离婚的卢卡斯（麦斯·米科尔森 Mads Mikkelsen 饰）目前在一家托儿所工作，心地善良个性温和的他很快就受到了同事和孩子们的喜爱，其中，一个名叫卡拉（安妮卡·韦德科普 Annika Wedderkopp 饰）的早熟女孩对卢卡斯尤为的亲近。面对女孩幼稚 而单纯的示好，卢卡斯只能婉转的拒绝，可令他没有想到的是，这一举动将他的生活推向了风口浪尖。

简介：Michael Schäffer is among the Westerners whose families are killed in the great tsunami while on holiday at Thailand's Phuket beach. So is Billi Cramer, who is less introvert and hence accepts a Greek international relief force therapist's advice to seek contact with a compatriot in the same position. They got on so well there may be a real relationship in the making, but the grief still weighs heavily.

简介：DEBUT is about Philip who dreams of becoming a model. At a casting he gets the chance to be photographed with the well-known model Sebastiaan, they fall in love. During the photo shoot, Philip pushes his limits more and more in order to keep the photographer's interest. Philip and Sebastiaan lose control of the situation when Philip is doing everything he can just to be able to stay in front of the camera.

简介：

1920年的西西里岛，意大利戏剧大师皮兰德娄于失意中，遇见了当地一个业余的戏剧团，以及其中两位性格迥异的主要人物：巴斯蒂亚诺与诺夫里奥。诺贝尔文学奖的获得者与“土鳖”剧团互相碰撞，这将带来怎么样的创作奇遇？或许连大师自己都未曾料到，这次相遇，将成为无数惊喜与哗 然的根源，其中便包括他的代表作之一《六个寻找剧作家的人物》，该作品在意大利初次公演时受到广大非议，但随后却受到了几乎全世界的赞誉。

简介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.